I Solisti Veneti & Claudio Scimone's 'Symphony No. 13 K. 112. F Major: III. Menuetto-Trio' came out on 1996. With Symphony No. 13 K. 112. F Major: III. Menuetto-Trio being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of W.A. Mozart: Early Symphonies - Vol. 3 by I Solisti Veneti & Claudio Scimone. The song's track number on the album is #11 out of 20 tracks. Symphony No. 13 K. 112. F Major: III. Menuetto-Trio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 13 K. 112. F Major: III. Menuetto-Trio by I Solisti Veneti & Claudio Scimone has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Symphony No. 13 K. 112. F Major: III. Menuetto-Trio being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio (Excerpt) | Wolfgang Amadeus Mozart, Sabine Meyer, Staatskapelle Dresden, Hans Vonk | B Major | 4 | 1B | 63 BPM | ||
Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro | Johann Nepomuk Hummel, Diego Dini Ciacci, Orchestra Internazionale D'Italia | F Minor | 0 | 4A | 75 BPM | ||
Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto | Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya | E Minor | 0 | 9A | 139 BPM | ||
Quintet in E-Flat Major, Op. 10, No. 3, Ben. 282: I. Adagio | Ignaz Pleyel, Orsolya Kaczander, Lajos Lencsés, Vilmos Szabadi, Péter Bársony, Péter Szabó | G Major | 1 | 9B | 78 BPM | ||
Concerto per violino N.2 in E Major, G44: Rondo. Polonese | Giovanni Battista Viotti, Martha Carfi, Luis Michal, Bayerisches Kammerorchester München | E Major | 1 | 12B | 107 BPM | ||
Sonata, Op. 1: No. 1 in E-Flat Major: I. Allegro con comodo | Muzio Clementi, Carlo Alberto Bacchi | D♭ Major | 5 | 3B | 85 BPM | ||
Symphony No. 1 in C Major, "Die 4 Weltalter" (the 4 Ages of the World): III. Minuetto con garbo | Carl Ditters von Dittersdorf, Failoni Kamarazenekar, Hanspeter Gmür | A Minor | 0 | 8A | 125 BPM | ||
Arioso with 9 Variations in C Major, H. 259: Var. 5 | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
Achmet und Zenide, Act III: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 141 BPM | ||
Piano Concerto No. 4 in G Minor: I. Allegro | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | E♭ Major | 2 | 5B | 135 BPM |