"Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto" by Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya was released on March 31, 2023. Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The song is number 1 out of 57 in Boccherini: Complete Violin Sonatas, Vol. 1 by Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya, Ensemble Violini Capricciosi. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto by Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo | Robert Schumann, Jan Willem de Vriend, Stavanger Symphony Orchestra | E♭ Major | 0 | 5B | 74 BPM | ||
Orfeo ed Euridice: Act III Scene 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Major | 0 | 8B | 89 BPM | ||
Sonata No. 2 in C Major, G.26: II. Largo | Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya | C Major | 1 | 8B | 115 BPM | ||
Overture in G Minor, BWV 822: III. Gavotte en Rondeau (arr. for violin and piano) (piano predominant mix) | Anonymous, Johann Sebastian Bach, Terence Dennis, Takako Nishizaki | G Minor | 1 | 6A | 126 BPM | ||
Der Fischer und das Milchmädchen: XVII. Vivace | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Fiorella, S. 15: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | B♭ Major | 1 | 6B | 111 BPM | ||
Divertimento No. 1, Op. 20: V. Csurdongolo (Stamping dance) | Leó Weiner, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 146 BPM | ||
Trio: II. Andante cantabile | Anton Diabelli, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
Symphony No. 62 in D Major, Hob. I:62: II. Allegretto | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM |