On March 25, 2009, the song "Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden" was released by Elisabeth Grümmer, Erika Köth, Sir Georg Solti. With Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #6 out of 48 tracks. Based on our statistics, Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden by Elisabeth Grümmer, Erika Köth, Sir Georg Solti has a tempo of 158 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Die Zauberflöte: Act 2 - Alles Fühlt Der Liebe Freuden being at 158 テンポ, the half-time would be 79 テンポ with a double-time of 316 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM | ||
Die Zauberflöte: Act 1 - Overture | Elisabeth Grümmer, Sir Georg Solti, Erika Köth | E♭ Major | 2 | 5B | 84 BPM | ||
Beethoven: Fidelio, Op. 72, Act 1: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Ludwig van Beethoven, Sir Simon Rattle, Angela Denoke, Juliane Banse, Rainer Trost, László Polgár, Berliner Philharmoniker | G Major | 1 | 9B | 78 BPM | ||
La traviata / Act I: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 4 | 4B | 91 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 3. Rezitativ: Und Gott machte das Firmament | Joseph Haydn, Kurt Moll, Berliner Philharmoniker, James Levine | C Major | 2 | 8B | 74 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Strauss, R: 5 Lieder, Op. 48: IV. Winterweihe | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | B♭ Major | 1 | 6B | 72 BPM | ||
Die Zauberflöte: Act 1 - Schnelle Füe, Rascher Mut | Elisabeth Grümmer, Erika Köth, Sir Georg Solti | G Major | 1 | 9B | 65 BPM | ||
Die Fledermaus / Act 3: Nr.16 Finale: "O Fledermaus, o Fledermaus" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, René Kollo, Hermann Prey, Benno Kusche, Bernd Weikl, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 81 BPM |