"Die Zauberflöte: Act 1 - Overture" by Elisabeth Grümmer, Sir Georg Solti, Erika Köth was released on March 25, 2009. Since Die Zauberflöte: Act 1 - Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #1 out of 48 tracks. Die Zauberflöte: Act 1 - Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Zauberflöte: Act 1 - Overture by Elisabeth Grümmer, Sir Georg Solti, Erika Köth has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Zauberflöte: Act 1 - Overture being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op. 70: "Lord, Bow Thine Ear to Our Prayer!" (Duet With Chorus) | Felix Mendelssohn, Gabrieli, Sarah Connolly, Rosemary Joshua, Paul McCreesh | F Major | 2 | 7B | 106 BPM | ||
Wagner: Das Rheingold, Scene 2: "Lichtsohn du, leicht gefügler" (Fasolt, Wotan, Fafner, Freia) | Richard Wagner, Wilhelm Furtwängler, Elisabeth Grümmer, Ferdinand Frantz, Gottlob Frick, Josef Greindl, Orchestra Sinfonica di Roma della RAI | G Major | 1 | 9B | 97 BPM | ||
Strauss: Der Rosenkavalier, Op. 59, TrV 227, Act 2: "Mir ist die Ehre widerfahren" (Octavian, Sophie) | Hugo von Hofmannsthal, Richard Strauss, Leonie Rysanek, Wilhelm Schüchter, Berliner Philharmoniker | F♯ Major | 2 | 2B | 91 BPM | ||
Lohengrin, WWV 75, Act I: Act I Scene 2: Des Ritters will ich wahren (Elsa, All The Men, The King, Herald) | Richard Wagner, Elisabeth Grümmer, Franz Crass, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Lovro Von Matacic | A Major | 1 | 11B | 71 BPM | ||
Symphony No. 4 in E-Flat Major, "Sinfonie naive": II. Adagio — | Franz Berwald, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 0 | 10B | 80 BPM | ||
Semiramide: Sento l'amica speme (Semiramide) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 2 | 6B | 132 BPM | ||
Schicksalslied, Op. 54: Orchestral Postlude with Choir (alternate version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Major | 0 | 11B | 82 BPM | ||
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
Die schöne Müllerin, D.795: 1. Das Wandern | Franz Schubert, Jonas Kaufmann, Helmut Deutsch | B♭ Major | 2 | 6B | 165 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Anna Tomowa-Sintow, Agnes Baltsa, Peter Schreier, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein, Rudolf Scholz | B♭ Major | 0 | 6B | 120 BPM |