"Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio]" by Ruggero Leoncavallo, José Cura, Philharmonia Orchestra had its release date on August 13, 1999. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verismo by José Cura. The song's track number on the album is #2 out of 17 tracks. Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] by Ruggero Leoncavallo, José Cura, Philharmonia Orchestra has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello - Act III - Assisa a' piè d'un salice | Gioachino Rossini, Montserrat Caballé, Corinne Vozza, Carlo Felice Cillario | E♭ Major | 1 | 5B | 127 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | D Major | 1 | 10B | 121 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Pagliacci / Prologue: Prelude | Ruggero Leoncavallo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | G Major | 0 | 9B | 142 BPM | ||
The Tales of Hoffmann: Barcarolle | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | D Major | 2 | 10B | 100 BPM | ||
The Can Can | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 7 | 10B | 82 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Hans Peter Blochwitz, Royal Concertgebouw Orchestra | F Major | 1 | 7B | 114 BPM | ||
La traviata, Act I, Scena, Aria e Finale: Ah fors'è lui | Giuseppe Verdi, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | F Minor | 0 | 4A | 74 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
La Gioconda / Act 4: "Suicidio! In questi fieri momenti" | Amilcare Ponchielli, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 1 | 11A | 97 BPM |