On June 10, 2022, the song "The Can Can" was released by Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner. With The Can Can being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 56 in Classical Clips Vol. 2 by Nikita Magaloff, Alexander Borodin, Antonín Dvořák, Antonio Vivaldi, Aram Khachaturian, Camille Saint-Saëns, Claude Debussy, Dmitri Shostakovich, Edvard Grieg, Edward Elgar, Erik Satie, Felix Mendelssohn, Frédéric Chopin, George Frideric Handel, Gustav Mahler, Jacques Offenbach, Johann Sebastian Bach, Johann Strauss II, Léo Delibes, Ludwig van Beethoven, Maurice Ravel, Pietro Mascagni, Pyotr Ilyich Tchaikovsky, Remo Giazotto, Richard Wagner, Samuel Barber, Sergei Prokofiev, Sergei Rachmaninoff, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The Can Can is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Can Can by Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Water Music Suite No. 3 in G Major, HWV 350: Rigaudon I & II | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 98 BPM | ||
Handel: Berenice, HWV 38, Overture: II. Andante (Larghetto) | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 77 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sir John Barbirolli, Hallé | D Minor | 2 | 7A | 171 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Philharmonia Orchestra, Giuseppe Sinopoli | E Minor | 1 | 9A | 64 BPM |