Angel Petkov, Giacomo Aragall, Sofia National Opera Orchestra made "Madame Butterfly: Introduction" available on March 1, 2014. The duration of Madame Butterfly: Introduction is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Madame Butterfly: Introduction's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Magic of the Opera" album is number 7 out of 46. Madame Butterfly: Introduction is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Madame Butterfly: Introduction by Angel Petkov, Giacomo Aragall, Sofia National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Au fond du temple saint" | Georges Bizet, René Bianco, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean Fournet | E♭ Major | 3 | 5B | 66 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
Serse / Act 1: "Ombra mai fù" | George Frideric Handel, Anthony Way, Daniel Phillips, English Sinfonia, Neil Page | F Major | 1 | 7B | 70 BPM | ||
16 Waltzes, Op. 39 (arr. for orchestra): 16 Waltzes, Op. 39: No. 15. in A flat major (arr. for orchestra) | Various Artists | F Major | 0 | 7B | 65 BPM | ||
Gaieté Parisienne - Overture | Paris France Royal Philharmonic Orchestra | A Major | 5 | 11B | 88 BPM | ||
Schéhérazade, Symphonische Suite Op.35 "The Young Prince and the Young Princess" : Andantino quasi allegretto | The Royal Alhambra Orchestra | G Major | 1 | 9B | 85 BPM |