Henryk Wieniawski, Charlie Siem, Itamar Golan's 'Polonaise No. 1 in D Major, Op. 4' came out on October 6, 2020. Polonaise No. 1 in D Major, Op. 4 is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. Since Polonaise No. 1 in D Major, Op. 4 only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Polonaise No. 1 in D Major, Op. 4 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Polonaise No. 1 in D Major, Op. 4 by Henryk Wieniawski, Charlie Siem, Itamar Golan having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di Menuetto | Wolfgang Amadeus Mozart, Arabella Steinbacher, Daniel Dodds, Lucerne Festival Strings, Festival Strings Lucerne (musical direction) | A Major | 1 | 11B | 118 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Liebeslied | Fritz Kreisler, Julia Krasko, Olga Kondratieva | A Major | 0 | 11B | 136 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Lecole Moderne Op 10 No 7 La Cadenza Largo | Henryk Wieniawski, Classic Hertz | E♭ Major | 5 | 5B | 110 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Cello Concerto in D Minor: II. Intermezzo: Andantino con moto - Allegro - Presto | Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 0 | 10B | 168 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: V. Finale. Allegro vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 81 BPM |