"Roméo et Juliette (1994 - Remaster), Act II: On nuit! sous tes ailes obscures abrite moi!" by Charles Gounod, Franco Corelli, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra was released on 1969. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Roméo et Juliette - Gounod". In this album, this song's track order is #15. Based on our statistics, Roméo et Juliette (1994 - Remaster), Act II: On nuit! sous tes ailes obscures abrite moi!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Roméo et Juliette (1994 - Remaster), Act II: On nuit! sous tes ailes obscures abrite moi! by Charles Gounod, Franco Corelli, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 2 "Dame Marthe Schwerlein" [Méphistophélès, Marthe, Faust, Marguerite] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 1 | 4B | 168 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | ||
Ave Maria, CG 89 (Arr. for Viola & Piano) | Charles Gounod, Megumi Ozawa, Mika Yamamoto | C Major | 0 | 8B | 125 BPM | ||
Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM | ||
Nocturne in E-Flat Major | Mikhail Glinka, Xavier De Maistre | E♭ Major | 0 | 5B | 81 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Faust, Act II: Le veau d'or | Charles Gounod, Boris Christoff, André Cluytens, Orchestre du Théâtre National de l'Opéra de Paris | F Minor | 4 | 4A | 103 BPM |