Vienna State Opera Orchestra, Anton Paulik made "Waltzes from "Eva"" available on October 1, 2011. Since Waltzes from "Eva" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The Merry Widow Waltz And Other Music Of Franz Lehár And Strauss (Remastered Stereo)". In this album, this song's track order is #3. Waltzes from "Eva" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Waltzes from "Eva" by Vienna State Opera Orchestra, Anton Paulik having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebestraum No. 3 | Franz Liszt, Arthur Fiedler | A♭ Major | 1 | 4B | 79 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht" | Franz Schubert, Gewandhausorchester, Kurt Masur, MDR Leipzig Radio Chorus | G Major | 0 | 9B | 85 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II (1) - Remastered 2024 | Johann Sebastian Bach, Hermann Scherchen, Vienna State Opera Orchestra | C Major | 0 | 8B | 75 BPM | ||
La Cetra: Concerto No. 3 in G Minor, RV334: iii. Allegro non molto | Vivaldi, Paul Makanowitzky, Willi Boskovsky, Vienna State Opera Orchestra, Vladimir Golschmann | G Minor | 3 | 6A | 162 BPM | ||
Hungarian Rhapsodies for Orchestra, S. 244, R.106, No. 6 in D-flat Major | Franz Liszt, Vienna State Opera Orchestra, Anatol Fistoulari | D Major | 2 | 10B | 92 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
The Bartered Bride, JB 1:100, Act I, Scene 1: Let Us Rejoice, Let´s Be Merry | Bedřich Smetana, Czech Philharmonic Orchestra, Prague Philharmonic Choir, Zdeněk Košler, Josef Veselka | G Major | 1 | 9B | 84 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM |