Johann Strauss I, Wiener Philharmoniker, Herbert von Karajan made "Radetzky-Marsch, Op. 228" available on January 1, 1998. The duration of Radetzky-Marsch, Op. 228 is about 3 minutes long, at 3:21. Based on our data, "Radetzky-Marsch, Op. 228" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Strauss II, Wiener Philharmoniker, Johann Strauss I, Josef Strauss's "J. Strauss: Best of Waltzes & Polkas" album is number 12 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Radetzky-Marsch, Op. 228 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Radetzky-Marsch, Op. 228 by Johann Strauss I, Wiener Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante | Joseph Haydn, European Festival Orchestra, Johann Walter | C Major | 0 | 8B | 126 BPM | ||
Der fliegende Hollander (The Flying Dutchman): Ouverture | Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg | D Minor | 1 | 7A | 86 BPM | ||
Hirten-galoppe, Op. 28 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 2 | 12B | 148 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version | Richard Wagner, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger | G Major | 3 | 9B | 74 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Carmen Suite No. 2: Habanera | London Philharmonic Orchestra | D Major | 0 | 10B | 121 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM |