"Arpeggiata (Prelude)" by Carl Friedrich Abel, Paolo Pandolfo was released on January 1, 1998. The duration of Arpeggiata (Prelude) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Arpeggiata (Prelude)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viola Da Gamba Recital: Pandolfo, Paolo - Ortiz, D. / Corkine, W. / Hume, T. / Sumarte, R. / Machy, S. / Marais, M. / Bach, J.S. by Paolo Pandolfo. The song's track number on the album is #19 out of 22 tracks. Based on our statistics, Arpeggiata (Prelude)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Arpeggiata (Prelude) by Carl Friedrich Abel, Paolo Pandolfo has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Arpeggiata (Prelude) being at 133 テンポ, the half-time would be 66 テンポ with a double-time of 266 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Suite in D Major: X. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 133 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
Suonata: Sarabanda | Giovanni Zamboni, Edin Karamazov | A♭ Major | 0 | 4B | 78 BPM | ||
27 Pieces for Viola da Gamba, WKO 186-212: Adagio, WKO 209 | Carl Friedrich Abel, John Dornenburg | D♭ Minor | 0 | 12A | 70 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Refrain 1 | Stephen Stubbs | A Minor | 0 | 8A | 86 BPM | ||
Dido and Aeneas, Z. 626: Act II: Ritornelle | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | D♭ Minor | 0 | 12A | 83 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM |