"Dido and Aeneas, Z. 626: Act II: Ritornelle" by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble was released on May 14, 1997. With Dido and Aeneas, Z. 626: Act II: Ritornelle being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #30. Dido and Aeneas, Z. 626: Act II: Ritornelle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas, Z. 626: Act II: Ritornelle by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Thanks to these lonesome vales" (Belinda, Chorus) - Dance | Henry Purcell, Emmanuelle Haïm | A♭ Minor | 1 | 1A | 89 BPM | ||
Belshazzar, HWV 61: Overture | George Frideric Handel, The English Concert, Trevor Pinnock | A Minor | 2 | 8A | 99 BPM | ||
Ouverture "La Bizarre", en Sol Majeur: Ouverture "La Bizarre", en Sol Majeur: VI. Fantaisie | Georg Philipp Telemann, Akademie für Alte Musik Berlin | F♯ Major | 3 | 2B | 128 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Fanfare des Médicis: Palle, palle (Instrumental) | Heinrich Isaac, Jordi Savall | F Major | 3 | 7B | 73 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Sinfonia | Francesca Caccini, Allabastrina, La Pifarescha, Elena Sartori | G Major | 2 | 9B | 60 BPM | ||
Nisi Dominus, HWV 238: Cum dederit | George Frideric Handel, The Scholars Baroque Ensemble | A♭ Major | 1 | 4B | 121 BPM |