George Frideric Handel, The Scholars Baroque Ensemble's 'Nisi Dominus, HWV 238: Cum dederit' came out on November 5, 1999. With Nisi Dominus, HWV 238: Cum dederit being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel's "Handel: Dixit Dominus / Salve Regina / Nisi Dominus" album is number 15 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Nisi Dominus, HWV 238: Cum dederit's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nisi Dominus, HWV 238: Cum dederit by George Frideric Handel, The Scholars Baroque Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigali guerrieri: No. 1, Sonnet by an Anonymous "Altri canti d'Amor, tenero arciero" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | G Major | 1 | 9B | 123 BPM | ||
Dixit Dominus, RV 595: Gloria Patri: Andante | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F Minor | 1 | 4A | 134 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Membra Jesu nostri, BuxWV 75: IId. Ad genua: Ut te quaeram mente pura | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Christ lag in Todesbanden, BWV 4: Christ lag in Todesbanden, BWV 4: Versus II. Den Tod niemand zwingen kunnt | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort | E Minor | 0 | 9A | 101 BPM | ||
Stabat Mater pour dix voix et basse continue: VIII. Inflammatus et accensus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
Dido and Aeneas, Z.626, Act II Scene 1, The Cave: But Ere We This Perform (Two Witches) | Henry Purcell, Les Argonautes, Jonas Descotte, Ana Vieira Leite, Julie Roset | F♯ Major | 1 | 2B | 84 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM |