"27 Pieces for Viola da Gamba, WKO 186-212: Adagio, WKO 209" by Carl Friedrich Abel, John Dornenburg was released on January 1, 2004. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Viola Da Gamba Recital: Dornenburg, John - Hume, T. / Sainte-Colombe, J. / Simpson, C. / Kuhnel, A. / Abel, C.F. by John Dornenburg. The song's track number on the album is #17 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. 27 Pieces for Viola da Gamba, WKO 186-212: Adagio, WKO 209 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 27 Pieces for Viola da Gamba, WKO 186-212: Adagio, WKO 209 by Carl Friedrich Abel, John Dornenburg has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 27 Pieces for Viola da Gamba, WKO 186-212: Adagio, WKO 209 being at 70 テンポ, the half-time would be 35 テンポ with a double-time of 140 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Sonata No. 2: II. Andante | Carl Friedrich Abel, Petr Hejny | D♭ Major | 0 | 3B | 126 BPM | ||
Adagio in D Minor, WK 209 - No. 24 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871" | Carl Friedrich Abel, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | E♭ Minor | 1 | 2A | 125 BPM | ||
Rameau: Premier livre de pièces de Clavecin, (1706), Suite in A Minor, RCT 1: No. 1 Prélude | Jean-Philippe Rameau, Jean Rondeau | G Minor | 3 | 6A | 80 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
La vignon | Monsieur de Sainte-Colombe, Hille Perl | G Major | 1 | 9B | 115 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM |