Georg Philipp Telemann, Robert King, The King's Consort's 'Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": IX. Gigue. Ebb' und Fluth' had a release date set for July 1, 1997. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The King's Consort, George Frideric Handel, Robert King, Georg Philipp Telemann's "Handel & Telemann: Water Music" album is number 28 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": IX. Gigue. Ebb' und Fluth is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": IX. Gigue. Ebb' und Fluth by Georg Philipp Telemann, Robert King, The King's Consort to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | C Major | 1 | 8B | 168 BPM | ||
Primavera-花降る日 | 冬野ユミ | C Major | 1 | 8B | 170 BPM | ||
Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: III. Loure | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | G Minor | 4 | 6A | 120 BPM | ||
Concerto For Cello No. 1 In C Major, Hob. VIIb:1: II. Adagio | Joseph Haydn, Cameron Crozman, Nicolas Ellis, Les Violons du Roy | A Major | 1 | 11B | 97 BPM | ||
Overture No. 2 in D major: 3. Presto | Johann Christian Bach, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 125 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Ouverture | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A Major | 0 | 11B | 94 BPM | ||
Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto | Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya | E Minor | 0 | 9A | 139 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
Concerto for 2 violins in D minor 2nd movement | Hajime Mizoguchi | F Major | 1 | 7B | 95 BPM |