"Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee" by Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward was released on June 13, 2003. The duration of Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee is about 3 minutes long, at 3:10. Based on our data, "Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Telemann: Don Quixote / La Lyra / Ouverture in D Minor". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. The popularity of Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee by Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward having a テンポ of 168 with a half-time of 84 テンポ and a double-time of 336 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in A Minor, Op. 3, No. 2: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 108 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
Trio Sonata No. 1 in G Major: I. Moderato | Domenico Gallo, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 5. Polacca; Trio II | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Ouverture in B Minor: IV. Menuet | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 0 | 3B | 179 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM | ||
Symphony No. 8, Op. 15 No. 6, G. 508: II. Larghetto | Luigi Boccherini, London Mozart Players, Matthias Bamert | C Major | 3 | 8B | 80 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM |