Benjamin Britten, Choir of King Edward's School at Birmingham, Birmingham Contemporary Music Group, Martyn Brabbins made "The Tocher Suite: II. Allegretto" available on April 1, 2012. The duration of The Tocher Suite: II. Allegretto is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. The Tocher Suite: II. Allegretto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 55 in Britten on Film by Benjamin Britten, Various Artists, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Tocher Suite: II. Allegretto is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Tocher Suite: II. Allegretto by Benjamin Britten, Choir of King Edward's School at Birmingham, Birmingham Contemporary Music Group, Martyn Brabbins is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Oceanides, Op. 73 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | G Major | 0 | 9B | 70 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Winter Words, Op. 52: The Choirmaster's Burial | Benjamin Britten, Steuart Bedford, Philip Langridge | C Minor | 1 | 5A | 128 BPM | ||
Fountains Of Rome, P. 106: 4. The Villa Medici Fountain At Sunset | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 74 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM |