Henry Purcell, Academy of Ancient Music, Christopher Hogwood made "The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig" available on January 1, 1990. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 135 in the song's album "Purcell: Theatre Music". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig by Henry Purcell, Academy of Ancient Music, Christopher Hogwood having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in G major, Op. 6, No. 1: 4. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | F♯ Major | 2 | 2B | 126 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | ||
Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement | Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | B Major | 2 | 1B | 113 BPM | ||
Overture in G Minor, Z. 772 | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: I. [Tempo giusto] - II. Adagio | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | F Major | 3 | 7B | 100 BPM | ||
Intermedes de Xerxes: Gigue pour Bacchus | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 112 BPM | ||
The Indian Queen, Z. 630, Act III: We, the Spirits of the Air | Henry Purcell, The Sixteen, Harry Christophers, Kirsty Hopkins, Julie Cooper | A♭ Minor | 1 | 1A | 78 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM |