George Frideric Handel, Handel & Haydn Society, Christopher Hogwood made "12 Concerti grossi, Op.6 - Concerto grosso in G major, Op. 6, No. 1: 4. Allegro" available on January 1, 1993. The duration of 12 Concerti grossi, Op.6 - Concerto grosso in G major, Op. 6, No. 1: 4. Allegro is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. 12 Concerti grossi, Op.6 - Concerto grosso in G major, Op. 6, No. 1: 4. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Handel & Haydn Society, Christopher Hogwood's "Handel: Concerti Grossi, Op.6" album is number 4 out of 61. Based on our statistics, 12 Concerti grossi, Op.6 - Concerto grosso in G major, Op. 6, No. 1: 4. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 12 Concerti grossi, Op.6 - Concerto grosso in G major, Op. 6, No. 1: 4. Allegro by George Frideric Handel, Handel & Haydn Society, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7, Act II: Lascia ch'io pianga | George Frideric Handel, Aaron Hill, Giacomo Rossi, Yannick Nézet-Séguin, David DQ Lee | B♭ Major | 1 | 6B | 94 BPM | ||
Concerto in D Minor for 4 recorders and continuo - ed. Armin Knab: Vivace | Johann Christian Schickhardt, Amsterdam Loeki Stardust Quartet, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 125 BPM | ||
Sonata for 2 Violins and Basso Continuo: III. Allegro | Pietro Locatelli, Florilegium | F♯ Major | 1 | 2B | 112 BPM | ||
Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM | ||
Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: IV. Sarabanda: Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 116 BPM |