"Les Huguenots: XII. Act I, Suite du final - Trop de mérite aussi quelque fois importune - Live" by Giacomo Meyerbeer, American Symphony Orchestra, Andrew Schroeder, Peter Volpe, Marie Lenormand, Michael Spyres, Jason Ferrante, Tracy Wise, Alexander Dobson, Leon Botstein was released on August 23, 2010. The duration of Les Huguenots: XII. Act I, Suite du final - Trop de mérite aussi quelque fois importune - Live is about 3 minutes long, at 3:23. Based on our data, "Les Huguenots: XII. Act I, Suite du final - Trop de mérite aussi quelque fois importune - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giacomo Meyerbeer, American Symphony Orchestra, Leon Botstein's "Meyerbeer: Les Huguenots" album is number 12 out of 42. On top of that, United States appears to be the country where this track was created. Les Huguenots: XII. Act I, Suite du final - Trop de mérite aussi quelque fois importune - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Huguenots: XII. Act I, Suite du final - Trop de mérite aussi quelque fois importune - Live by Giacomo Meyerbeer, American Symphony Orchestra, Andrew Schroeder, Peter Volpe, Marie Lenormand, Michael Spyres, Jason Ferrante, Tracy Wise, Alexander Dobson, Leon Botstein to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo (Allegro spirituoso) | Niccolò Paganini, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | D Major | 1 | 10B | 99 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Giselle / Act 1: Introduction | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 135 BPM |
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