- BPM
- 137
- Key
- A♭ Minor
- Camelot
- 1A
Girl Crazy, Act I: I got rhythm (arr. E. Wild) - George Gershwin, Earl Wild, Jenny Lin Information
- Acousticness
- 99%
- Danceability
- 40%
- Energy
- 16%
- Instrumentalness
- 90%
- Liveness
- 12%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 37%
- Popularity
- 0%
- Loudness
- -24.762 dB
Summary
George Gershwin, Earl Wild, Jenny Lin's 'Girl Crazy, Act I: I got rhythm (arr. E. Wild)' came out on October 2, 2012. The duration of Girl Crazy, Act I: I got rhythm (arr. E. Wild) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Girl Crazy, Act I: I got rhythm (arr. E. Wild)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jenny Lin's "Get Happy" album is number 2 out of 18. Based on our statistics, Girl Crazy, Act I: I got rhythm (arr. E. Wild)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Girl Crazy, Act I: I got rhythm (arr. E. Wild) BPM
We consider the tempo marking of Girl Crazy, Act I: I got rhythm (arr. E. Wild) by George Gershwin, Earl Wild, Jenny Lin to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Girl Crazy, Act I: I got rhythm (arr. E. Wild) Key
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kreisler: Schön Rosmarin | Fritz Kreisler, Itzhak Perlman | G Major | 2 | 9B | 117 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | |
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 | Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | |
 | Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | |
 | Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | |
 | West Side Story Suite: III. Tonight (Version for Solo Violin and String Orchestra) | Leonard Bernstein, Daniel Hope, Zürcher Kammerorchester | E Major | 0 | 12B | 76 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | Elite Synchopations (1902) | Scott Joplin, Joshua Rifkin | F Major | 2 | 7B | 100 BPM | |
 | Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8355207443237305
End: 0.8393688201904297