- BPM
- 88
- Key
- C Major
- Camelot
- 8B
The Valkyrie: Act II - "Prelude" - Dan Ettinger & The Orchestra of National Theater Mannheim Information
- Acousticness
- 79%
- Danceability
- 16%
- Energy
- 20%
- Instrumentalness
- 89%
- Liveness
- 35%
- Loudness
- 70%
- Speechiness
- 3%
- Valence
- 7%
- Popularity
- 0%
- Loudness
- -17.872 dB
Summary
"The Valkyrie: Act II - "Prelude"" by Dan Ettinger & The Orchestra of National Theater Mannheim was released on October 23, 2011. The duration of The Valkyrie: Act II - "Prelude" is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Valkyrie: Act II - "Prelude"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Richard Wagner/Friedmann Dressler: The Symphonic Ring". In this album, this song's track order is #11. The Valkyrie: Act II - "Prelude" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Valkyrie: Act II - "Prelude" BPM
With The Valkyrie: Act II - "Prelude" by Dan Ettinger & The Orchestra of National Theater Mannheim having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The Valkyrie: Act II - "Prelude" Key
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | |
 | The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM | |
 | 弦楽のためのセレナード ハ長調 OP.48 第3楽章 エレジー | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | D Major | 1 | 10B | 84 BPM | |
 | Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Minor | 3 | 5A | 79 BPM | |
 | Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | |
 | Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | |
 | Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | |
 | Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": III. Glorification of the Chosen One | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | |
 | Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | |
 | Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Markus Poschner, Orchestra della Svizzera Italiana | B Minor | 0 | 10A | 72 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.759324312210083
End: 0.7631139755249023