Kurt Weill, Le Balcon, Maxime Pascal, Benjamin Lavernhe, Birane Ba made "L’opéra de quat'sous, Act I: Chanson des canons" available on September 22, 2023. The duration of L’opéra de quat'sous, Act I: Chanson des canons is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. L’opéra de quat'sous, Act I: Chanson des canons's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill, Brecht & Hauptmann: L'opéra de quat'sous by Kurt Weill, Le Balcon, Maxime Pascal. The song's track number on the album is #17 out of 57 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, L’opéra de quat'sous, Act I: Chanson des canons is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since L’opéra de quat'sous, Act I: Chanson des canons by Kurt Weill, Le Balcon, Maxime Pascal, Benjamin Lavernhe, Birane Ba has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L’opéra de quat'sous, Act I: Chanson des canons being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: V. Finale alla marcia | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | F Major | 6 | 7B | 152 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth" | Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 131 BPM | ||
Music for a while | Henry Purcell, Alfred Deller | F♯ Major | 1 | 2B | 78 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Je te veux (I want you) [arr. E. Blackwood] | Erik Satie, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | A Major | 1 | 11B | 90 BPM | ||
Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla | Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | G Major | 1 | 9B | 124 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Ach, bedenken Sie, Herr Jakob Schmidt (Havanna Song), var. | D Amico F, Kurt Weill, Bertolt Brecht, Gianluigi Trovesi, Gianni Coscia | A♭ Major | 0 | 4B | 127 BPM |
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