"Choral Pour Orgue Extrait De L'Orgelbuchlein N1, BWV 599 - Nun Komm' Der Heiden Heiland (J.S. Bach)" by Emile Naoumoff was released on 1998. With this song being about 5 minutes long, at 5:06, "Choral Pour Orgue Extrait De L'Orgelbuchlein N1, BWV 599 - Nun Komm' Der Heiden Heiland (J.S. Bach)" by Emile Naoumoff is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Emile Naoumoff's "Jean-Sebastien Bach - Transcriptions Pour Piano" album is number 9 out of 13. Choral Pour Orgue Extrait De L'Orgelbuchlein N1, BWV 599 - Nun Komm' Der Heiden Heiland (J.S. Bach) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Choral Pour Orgue Extrait De L'Orgelbuchlein N1, BWV 599 - Nun Komm' Der Heiden Heiland (J.S. Bach) by Emile Naoumoff to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Clairieres dans le ciel: Demain, fera un an | Lili Boulanger, Emile Naoumoff, Isabelle Sabrie | D Minor | 0 | 7A | 77 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
5 Anniversaries: No. 5, For Susanna Kyle | Leonard Bernstein, Warren Lee | C Major | 0 | 8B | 98 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Sonata for Piano 4 Hands in D Minor, Op. 36: I. Allegro moderato | Louis Théodore Gouvy, Emile Naoumoff, Yau Cheng | D Minor | 1 | 7A | 129 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM |
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