Raniero de' Calzabigi, Christoph Willibald Gluck, RIAS-Kammerchor/Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker's 'Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Wer ist der Sterbliche' came out on April 12, 2013. With Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Wer ist der Sterbliche being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christoph Willibald Gluck, Raniero de' Calzabigi, Hermann Prey/Pilar Lorengar/Erika Köth's "Gluck: Orpheus und Eurydike" album is number 6 out of 18. On top of that, Germany appears to be the country where this track was created. Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Wer ist der Sterbliche is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Wer ist der Sterbliche by Raniero de' Calzabigi, Christoph Willibald Gluck, RIAS-Kammerchor/Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sechs deutsche Lieder, Opus 72: Nr. 5 An Rosa Maria (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | A Major | 1 | 11B | 172 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM | ||
Silete venti, HWV 242: III. O fortunata anima | George Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond Leppard | E♭ Major | 2 | 5B | 86 BPM | ||
Gli Orazi e i Curiazi / Act 3: Resta in pace, idolo mio | Domenico Cimarosa, Samuel Mariño, La Cetra Barockorchester Basel, Andrea Marcon | F Major | 1 | 7B | 138 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: V. Fecit potentiam | Carl Philipp Emanuel Bach, Geraint Jones, Thomas Hemsley, Geraint Jones Orchestra | E Major | 1 | 12B | 147 BPM | ||
Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria) | Carl Heinrich Graun, Regula Mühlemann | E♭ Major | 4 | 5B | 130 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Messa di Gloria: XVIII. Agnus Dei | Giacomo Puccini, Charles Castronovo, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | C Major | 1 | 8B | 140 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM |
Section: 0.8155214786529541
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