Schumann: Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell - Robert Schumann, Paul Tortelier, Royal Philharmonic Orchestra, Yan Pascal Tortelier Information

Acousticness: 92%
Danceability: 28%
Energy: 27%
Instrumentalness: 48%
Liveness: 11%
Loudness: 77%
Speechiness: 4%
Valence: 21%
Popularity: 1%
Loudness: -13.877 dB

Summary

Robert Schumann, Paul Tortelier, Royal Philharmonic Orchestra, Yan Pascal Tortelier's 'Schumann: Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell' came out on January 1, 1979. Schumann: Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Schumann: Cello Concerto - Bruch: Kol Nidrei - Boëllmann: Variations symphoniques". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Schumann: Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Schumann: Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell BPM

With Schumann: Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell by Robert Schumann, Paul Tortelier, Royal Philharmonic Orchestra, Yan Pascal Tortelier having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Schumann: Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point"	Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham	E♭ Major	0	5B	90 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Vocalise, Op. 34, No. 14	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	E Minor	1	9A	76 BPM
Kinderszenen, Op.15: 4. Bittendes Kind	Robert Schumann, Martha Argerich	D Major	0	10B	113 BPM
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6	Frédéric Chopin, Idil Biret	A♭ Major	0	4B	73 BPM
Consolation No. 3 in D-Flat Major, S. 172	Franz Liszt, Lang Lang	D♭ Major	0	3B	74 BPM
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes (Einfach und nicht rasch)	Clara Schumann, Friedrich Rückert, Robert Schumann, Edda Moser	A♭ Major	2	4B	71 BPM
Pièces Lyriques, Op. 47 No. 3: Mélodie	Edvard Grieg, Shani Diluka	F Major	0	7B	105 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet	Antonín Dvořák, Peter Breiner	A Major	0	11B	67 BPM

ISRC: GBAYD9200264
Label: L-M Records/RCA Records

Section: 0.8244726657867432

End: 0.8318219184875488