Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath's 'XVI. Wenn eure Sünde gleich blutrot wäre' came out on May 31, 2024. With XVI. Wenn eure Sünde gleich blutrot wäre being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Florian Helgath, Katharina Bauml's "Heinrich Schütz: Musikalische Exequien" album is number 17 out of 36. On top of that, Germany appears to be the country where this track was created. In terms of popularity, XVI. Wenn eure Sünde gleich blutrot wäre is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of XVI. Wenn eure Sünde gleich blutrot wäre by Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sistite sidera, coeli motus otiamini: No. 4, Aria, "Ergo grates ei reddamus" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte) | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 1 | 12B | 79 BPM | ||
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 1 | 3B | 92 BPM | ||
Locus Iste (Motet), WAB. 23 | Anton Bruckner, Eugen Jochum, Bavarian Radio Chorus | C Major | 0 | 8B | 76 BPM | ||
Requiem, Op. 9: Sanctus | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | G Minor | 1 | 6A | 145 BPM | ||
Laetatus sum | Tomás Luis de Victoria, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
In tribulationibus, in angustiis: No. 2, Aria, "Ad montem venite" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini | A Major | 3 | 11B | 93 BPM | ||
Attila, Act III: Non involarti, seguimi (Live) | Giuseppe Verdi, Ildebrando D'Arcangelo, Liudmyla Monastyrska, Stefano La Colla, George Petean, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | B♭ Minor | 3 | 3A | 169 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pectus: Concerto a 3 voci "Sicut modo geniti infantes rationabiles" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM |
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