Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset made "Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte)" available on January 12, 2024. The duration of Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Chœur De Chambre De Namur, Les Talens Lyriques, Christophe Rousset's "Lully: Atys" album is number 5 out of 75. In terms of popularity, Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte) by Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
Strozzi: L’amante segreto (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | C Major | 2 | 8B | 118 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: I. Exaudiat te Dominus in die tribulationis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Stabat Mater, P. 77: XI. Inflammatus | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Te deum, LWV 55: I. Te Deum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 5 | 6B | 79 BPM | ||
L'Orfeo, SV 318: Act I: Muse, onor di Parnaso, amor del Cielo (Ninfa) | Claudio Monteverdi, Emanuela Galli, Mirko Guadagnini, Marina de Liso, Cristina Calzolari, Matteo Bellotto, José Maria Lo Monaco, Salvo Vitale, Vincenzo di Donato, Francesca Cassinari, Giovanni Caccamo, Makoto Sakurada, Claudio Cavina, Tony Corradini, La Venexiana | F Major | 2 | 7B | 0 BPM | ||
Missa Sancti Spiritus, ZWV 4: Osanna in excelsis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Dido and Aeneas, Z. 626, Act II: The Grove - Thanks to these lonesome vales | Henry Purcell, La Nuova Musica, David Bates, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
Zaïde, reine de Grenade, Acte III Scène 5: Air pour les Turcs, en rondeau | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM |
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