"Variacoes concertantes (Variations Concertantes) for Strings and Harp: Variations Concertantes for Strings and Harp" by Joly Braga Santos, Royal Northern Sinfonia, Alvaro Cassuto was released on January 1, 2002. Variacoes concertantes (Variations Concertantes) for Strings and Harp: Variations Concertantes for Strings and Harp appears to be safe for all ages as it is not explicit. The song is number 7 out of 10 in Braga Santos: Sinfonietta for Strings / Violin Concerto by Joly Braga Santos, Sue Blair, Alexander Somov, Royal Northern Sinfonia, Alvaro Cassuto. Variacoes concertantes (Variations Concertantes) for Strings and Harp: Variations Concertantes for Strings and Harp is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variacoes concertantes (Variations Concertantes) for Strings and Harp: Variations Concertantes for Strings and Harp by Joly Braga Santos, Royal Northern Sinfonia, Alvaro Cassuto is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 63 BPM | ||
Pictures at an Exhibition: Tuileries | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Major | 0 | 10B | 137 BPM | ||
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): V. Sicilienne - Allegretto molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Minor | 0 | 6A | 98 BPM | ||
Sonata para violino e piano: 2. Allegro energico | Joly Braga Santos, Ana Beatriz Ferreira, Lana Trotovšek | F♯ Minor | 3 | 11A | 115 BPM | ||
Kyrie in D Major: IV. Versetto No.3, Senza indicazione di tempo | Giacomo Puccini, Paolo Bottini | D Major | 0 | 10B | 141 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 1, Grazioso | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Glistening Grimoires | Super Sound Studio | F♯ Major | 2 | 2B | 81 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM |
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