"St. Paul's Suite, Op. 29, No. 2: III. Intermezzo" by Gustav Holst, Budapest Strings, Karoly Botvay was released on January 1, 2002. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Karoly Botvay's "Holst, G.: St. Paul's Suite / A Fugal Concerto / Britten, B.: Simple Symphony / Walton, W.: 2 Pieces for Strings" album is number 3 out of 15. On top of that, Germany appears to be the country where this track was created. St. Paul's Suite, Op. 29, No. 2: III. Intermezzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. Paul's Suite, Op. 29, No. 2: III. Intermezzo by Gustav Holst, Budapest Strings, Karoly Botvay to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina: Morgendammerung an der Moskwa | Modest Mussorgsky, Moscow State Radio and Television Symphony Orchestra, Klaus-Peter Hahn | D Major | 3 | 10B | 116 BPM | ||
Valse pour piano, Op. 39, No. 15 | Johannes Brahms, France Clidat | G Minor | 4 | 6A | 80 BPM | ||
Raymonda, Act III: Coda | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | G Major | 1 | 9B | 104 BPM | ||
Quartet for Flute and String Trio No.5 "Alla Turca" in A Major, K.331: I. Andante grazioso | Wolfgang Amadeus Mozart, Trio Quodlibet, Andrea Mogavero | A Major | 0 | 11B | 135 BPM | ||
The Song Of Spring: Op. 16 | Moscow Philarmonic Orchestra: Vassily Sinaysky | F Major | 2 | 7B | 85 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": IV. Presto | Franz Schubert, Cherubini-Quartett | C Major | 1 | 8B | 110 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto | Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle | C Minor | 2 | 5A | 89 BPM | ||
Etudes: Vb. Ensemble | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | E Major | 0 | 12B | 81 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM |
Section: 0.7108535766601562
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