Modest Mussorgsky, Moscow State Radio and Television Symphony Orchestra, Klaus-Peter Hahn's 'Khovanshchina: Morgendammerung an der Moskwa' came out on January 1, 2000. With this song being about 5 minutes long, at 5:08, "Khovanshchina: Morgendammerung an der Moskwa" by Modest Mussorgsky, Moscow State Radio and Television Symphony Orchestra, Klaus-Peter Hahn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Klaus-Peter Hahn's "Inspiration Classic - The Best Moments in Classical Music" album is number 2 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Khovanshchina: Morgendammerung an der Moskwa is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Khovanshchina: Morgendammerung an der Moskwa by Modest Mussorgsky, Moscow State Radio and Television Symphony Orchestra, Klaus-Peter Hahn to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75: Prelude to Act III | Richard Wagner, Pittsburgh Symphony Orchestra, William Steinberg | G Major | 2 | 9B | 85 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Philharmonie Südwestfalen, Nabil Shehata | E Minor | 1 | 9A | 134 BPM | ||
Hungarian Folkdance Suite, Op. 18: I. Allegro risoluto e ben marcato | Leó Weiner, Neeme Järvi, Philharmonic Orchestra, Hugh Bean | D Major | 2 | 10B | 134 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Peter and the Wolf, Op. 67: Early One Morning, Peter Opened the Gate and Went out into the Big Green Meadow | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 79 BPM | ||
Divertissements: III. Three Divertissements | Dorothy Howell, Rebecca Miller, BBC Concert Orchestra | G Major | 1 | 9B | 76 BPM | ||
鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: III. in A flat major. Poco allegro | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Mussorgsky: Boris Godunov, Act 2: Kseniya's Lament. "Gde ty, zhenikh moy" (Kseniya, The Nurse) | Modest Mussorgsky, Issay Dobrowen, Ludmila Lebedeva, Lydia Romanova, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM |
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