"Iii" by Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra was released on February 22, 2000. Iii is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. This song is part of Wilson: Symphony No. 1; Viola Sonata; Tribulations; Gnomics by Richard Wilson, Misha Amory (viola), New Zealand Symphony Orchestra, James Sedares. The song's track number on the album is #15 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Iii's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Iii by Richard Wilson, Misha Amory (viola), James Sedares, New Zealand Symphony Orchestra has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Iii being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria | Johann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrin | A Major | 3 | 11B | 81 BPM | ||
Piano Trio No. 5 in D Major, Op. 70, No. 1, "Ghost": II. Largo assai ed espressivo | Ludwig van Beethoven, Xyrion Trio | D Minor | 0 | 7A | 84 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 12. Gefahrvolle Augenblicke | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 95 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Concerto for Cello and Orchestra "Never Give Up", Op. 73: I. Never Give Up | Fazıl Say, Camille Thomas, Brussels Philharmonic, Stéphane Denève | G Major | 3 | 9B | 89 BPM | ||
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
String Quartet No. 7 in F-Sharp Minor, Op. 108: II. Lento | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Seven Disobediences for piano and ensemble: No. 1, Seek | Rolf Wallin, Cikada, Kenneth Karlsson, Christian Eggen | G Major | 1 | 9B | 186 BPM |
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