Johann Sebastian Bach, Susan Hamilton, Hilary Summers, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner made "Nur jedem das Seine, BWV 163: Chorale: Fuhr auch mein Herz und Sinn (Chorus)" available on October 26, 2010. With Nur jedem das Seine, BWV 163: Chorale: Fuhr auch mein Herz und Sinn (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 12 out of 47 in Bach: Cantatas, Vol. 12 by Johann Sebastian Bach, John Eliot Gardiner. Nur jedem das Seine, BWV 163: Chorale: Fuhr auch mein Herz und Sinn (Chorus) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Nur jedem das Seine, BWV 163: Chorale: Fuhr auch mein Herz und Sinn (Chorus) by Johann Sebastian Bach, Susan Hamilton, Hilary Summers, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
La naissance de Vénus, LWV 27, Pt. 2: Grand dieu des enfers (Arr. G. Tailleferre for Piano) | Jean-Baptiste Lully, Nicolas Horvath | B Major | 2 | 1B | 108 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 118 BPM | ||
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 125 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM |
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