St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat
Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, New Bach Collegium Musicum Leipzig
J.S. Bach: Markus-Passion BWV 247
0:47 January 1, 1997
BPM
80
Key
G Major
Camelot
9B

Embed

Share Link

St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat - Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, New Bach Collegium Musicum Leipzig Information

Acousticness
99%
Danceability
34%
Energy
5%
Instrumentalness
0%
Liveness
20%
Loudness
56%
Speechiness
4%
Valence
38%
Popularity
Loudness
-26.463 dB

Summary

Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, New Bach Collegium Musicum Leipzig's 'St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat' came out on January 1, 1997. With St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Wolf Euba, Christiane Oelze, Rosemarie Lang, Peter Schreier, Favorit-Und-Capell-Chor Leipzig, New Bach Collegium Musicum Leipzig's "J.S. Bach: Markus-Passion BWV 247" album is number 17 out of 40. On top of that, Germany appears to be the country where this track was created. St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat BPM

We consider the tempo marking of St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat by Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, New Bach Collegium Musicum Leipzig to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.

St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 by Carl Maria von Weber, Ensemble 3 MouvementsDivertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38Carl Maria von Weber, Ensemble 3 MouvementsG Major09B119 BPM
Chiome d'oro, SV 143 by Claudio Monteverdi, Sonia Wieder-AthertonChiome d'oro, SV 143Claudio Monteverdi, Sonia Wieder-AthertonC Major18B119 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo by Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: LargoArcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaD♭ Major13B118 BPM
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena ZemanovaConcerto grosso No. 1 in D Major, Op. 6: II. Largo - AllegroArcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena ZemanovaD♭ Major23B146 BPM
24 Préludes, Op. 28: No. 4 in E Minor by Frédéric Chopin, Martha Argerich24 Préludes, Op. 28: No. 4 in E MinorFrédéric Chopin, Martha ArgerichA Minor08A51 BPM
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) by Gottfried Heinrich Stölzel, Daniil TrifonovBist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725)Gottfried Heinrich Stölzel, Daniil TrifonovE♭ Major05B133 BPM
King Arthur, Z. 628, King Arthur, Z. 628, "The British Worthy": AirHenry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica HuggettD♭ Minor012A114 BPM
Overture in D Minor, TWV 55:2: Rondeau by Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick PeireOverture in D Minor, TWV 55:2: RondeauGeorg Philipp Telemann, Collegium Instrumentale Brugense, Patrick PeireD Minor17A83 BPM
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach by Franz Schubert, Mischa Maisky, Daria HovoraDie schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der BachFranz Schubert, Mischa Maisky, Daria HovoraG Major09B96 BPM
ISRC
DEF079503698
Label
L-M Records/RCA Records

Section: 0.5655708312988281

End: 0.5708432197570801