Conlon Nancarrow, Bang On A Can All-Stars, Ashley Bathgate, Robert Black, Vicky Chow, David Cossin, Mark Stewart, Evan Ziporyn made "Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite"" available on February 28, 2012. The duration of Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite" is about 3 minutes long, at 3:22. Based on our data, "Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 18 in Big Beautiful Dark and Scary by Bang On A Can All-Stars, Ashley Bathgate, Mark Stewart, Evan Ziporyn. Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite" is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite" by Conlon Nancarrow, Bang On A Can All-Stars, Ashley Bathgate, Robert Black, Vicky Chow, David Cossin, Mark Stewart, Evan Ziporyn is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pierrot Lunaire, Op. 21, Pt. 2: No. 8, Nacht | Arnold Schoenberg, Lucy Shelton, Da Capo Chamber Players | C Major | 0 | 8B | 79 BPM | ||
Canto Ostinato Strings Attached: Section 1 - 2 | Simeon ten Holt, Matangi Quartet | C Major | 0 | 8B | 126 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Suite for Toy Piano (1948) | John Cage, Stephen Drury | G Minor | 2 | 6A | 108 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
A Saia de Carolina | Alicia Ce | A Major | 3 | 11B | 111 BPM | ||
Six Encores: Leaf | Luciano Berio, Andrea Lucchesini | D Major | 0 | 10B | 49 BPM | ||
String Quartet in F Major: I. Allegro moderato, tres doux | Maurice Ravel, Cavani Quartet | F Major | 1 | 7B | 130 BPM | ||
String Quartet No. 7: Scurrying, Forceful, Intense | Ben Johnston, Kepler Quartet | G Major | 4 | 9B | 86 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM |
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