"Fancy Free: 7. Variation 2 (Waltz)" by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman was released on January 1, 1997. The duration of Fancy Free: 7. Variation 2 (Waltz) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Fancy Free: 7. Variation 2 (Waltz)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 20 in Bernstein: West Side Story Symphonic Dances; Facsimile; Fancy Free; Candide Overture by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fancy Free: 7. Variation 2 (Waltz) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fancy Free: 7. Variation 2 (Waltz) by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bolt, Op. 27a (Ballet Suite No. 5): II. The Bureaucrat (Polka) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 1 | 8B | 142 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 76 BPM | ||
Symphony No.35 In D, K.385 "Haffner": 4. Finale (Presto) - Live | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | D Major | 2 | 10B | 75 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Moderato - Poco piu mosso (Allegro moderato) - Sostenuto - L'istesso tempo - Poco piu mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 122 BPM | ||
Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto | Dag Wirén, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 129 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |
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