Laur. Rosenthal, Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack made "Chineser-Galoppe (Chinese Galop), Op. 20" available on August 18, 2003. With Chineser-Galoppe (Chinese Galop), Op. 20 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 13 in the song's album "Strauss I, J.: Edition - Vol. 2". In this album, this song's track order is #6. Based on our statistics, Chineser-Galoppe (Chinese Galop), Op. 20's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Chineser-Galoppe (Chinese Galop), Op. 20 by Laur. Rosenthal, Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deborah Polka-Mazurka (1857) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Minor | 2 | 9A | 134 BPM | ||
Pegasus-sprünge, Op. 51 (Arr. for Orchestra by Kurt Schmid) | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 155 BPM | ||
Napoli: Act III: Pas de six: Second Lady's solo: Allegretto | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 1 | 9B | 85 BPM | ||
Mini Wedding March | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Terpsichore, Op. 37 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 84 BPM | ||
Le lac des cygnes, Op. 20 ; TH 12, Act. I, No. 2: Valse. Tempo di valse (extrait) | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Anatole Fistoulari | B Minor | 5 | 10A | 94 BPM | ||
Estudiantina | Wieland Reissmann | D Major | 1 | 10B | 197 BPM | ||
Bauern-Polka | Johann Strauss Orchester | G Major | 3 | 9B | 99 BPM | ||
Die Puppenfee (The Fairy Doll): No. 1 Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 128 BPM | ||
Verdi: Il trovatore, Act 2: Coro di zingari. "Vedi! Le fosche notturne spoglie" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, John Leach, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM |
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