Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia's 'Die Puppenfee (The Fairy Doll): No. 1 Allegro' came out on June 7, 2004. With Die Puppenfee (The Fairy Doll): No. 1 Allegro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 35 in Bayer: Fairy Doll (The) (Complete Ballet) by Josef Bayer. Based on our statistics, Die Puppenfee (The Fairy Doll): No. 1 Allegro's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Die Puppenfee (The Fairy Doll): No. 1 Allegro by Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayamesa (the Bayamo Song), "al combate, corred, Bayameses" [Hasten to battle, men of Bayamo] [Cuba] | Pedro Figueredo, Slovak Radio Symphony Orchestra, Peter Breiner | E♭ Major | 4 | 5B | 114 BPM | ||
Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
Im süßen Traum, Op. 31 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
Bulgaria [Mila Rodino (Dear Homeland), "Proudly Rise The Balkan Peaks…"] | Slovak Radio Symphony Orchestra, Peter Breiner | A Minor | 3 | 8A | 62 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Quadrille No. 1 in F Minor | Michal Kleofas Oginski, Belarus Chamber Orchestra of the National Academic Concert Orchestra of Belarus | F Minor | 3 | 4A | 121 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 18, Danse du mai | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 3 | 6B | 113 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
Raymonda, Act I: Reprise de la Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 3 | 10B | 110 BPM | ||
春之聲 | 李淑雲, 許鈺珮, 吳爾笠, 蔡榮吉 | E♭ Major | 2 | 5B | 73 BPM |
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