Alessandro Scarlatti, Véronique Gens, Gérard Lesne, Il Seminario Musicale made "Scarlatti, A: Salve Regina for Soprano and Alto: II. Ad te clamamus" available on January 1, 1994. The duration of Scarlatti, A: Salve Regina for Soprano and Alto: II. Ad te clamamus is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Scarlatti, A: Salve Regina for Soprano and Alto: II. Ad te clamamus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Scarlatti: Motets - Infirmata vulnerata, De tenebroso lacu, Salve Regina & Totus amore languens". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. In terms of popularity, Scarlatti, A: Salve Regina for Soprano and Alto: II. Ad te clamamus is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Scarlatti, A: Salve Regina for Soprano and Alto: II. Ad te clamamus by Alessandro Scarlatti, Véronique Gens, Gérard Lesne, Il Seminario Musicale having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
12 Flute Sonatas (1724): Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 65 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | B Major | 5 | 1B | 82 BPM | ||
La Giuditta (Version for 3 Voices), Pt. 2: Part II: Lullaby: Dormi, o fulmine di guerra (Nutrice) | Alessandro Scarlatti, Rosita Frisani, Marco Lazzara, Mario Nuvoli, Alessandro Stradella Consort, Estevan Velardi | D♭ Major | 2 | 3B | 79 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | B♭ Major | 1 | 6B | 93 BPM |
Section: 0.7208163738250732
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