Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan made "Annen-Polka, Op.117 - Arr. Max Schönherr" available on January 1, 1981. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Strauss, Johann: Emperor Waltz; Tritsch-Tratsch-Polka; Roses From The South; The Gypsy Baron (Overture); Annen Polka; Wine, Women And Song; Hunting Polka". In this album, this song's track order is #5. Annen-Polka, Op.117 - Arr. Max Schönherr is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Annen-Polka, Op.117 - Arr. Max Schönherr by Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
The Godfather: V. Love Theme | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | D♭ Major | 1 | 3B | 88 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, György Éder, Danubius Quartet | A Major | 0 | 11B | 126 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Künstler-Leben (Artists' Life), Op. 316 (RV 316) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 188 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM |
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