"Das Sühnopfer des neuen Bundes, Pt. 3: No. 28, O, welch ein Anblick" by Carl Loewe, Georg Poplutz, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. The duration of Das Sühnopfer des neuen Bundes, Pt. 3: No. 28, O, welch ein Anblick is about 3 minutes long, at 3:17. Based on our data, "Das Sühnopfer des neuen Bundes, Pt. 3: No. 28, O, welch ein Anblick" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 1 out of 46. On top of that, Germany appears to be the country where this track was created. Das Sühnopfer des neuen Bundes, Pt. 3: No. 28, O, welch ein Anblick is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 3: No. 28, O, welch ein Anblick by Carl Loewe, Georg Poplutz, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misatango, Misa a Buenos Aires: IX. Et resurexit | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 203 BPM | ||
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: No. 3, Wie zittern und wanken der Sünder Gedanken | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | F♯ Minor | 1 | 11A | 115 BPM | ||
Stabat Mater in F Monir P. 77: XII Quando corpus | Simone Perugini | E♭ Minor | 1 | 2A | 100 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Misa a Buenos Aires "Misatango": Agnus Dei | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Major | 1 | 8B | 82 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben" | Johann Sebastian Bach, Ton Koopman, Barbara Schlick, Amsterdam Baroque Orchestra | A Major | 2 | 11B | 112 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Chorus: Beau chevalier va chercher une amie (Handsome knight, find yourself a lady friend) (Page) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 12, "Schlosser auf, und mache Schlösser" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | E♭ Major | 3 | 5B | 141 BPM | ||
III. Seht, seht! wie reißt, wie bricht, wie fällt (Aria) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Daniel Johannsen | A♭ Major | 2 | 4B | 92 BPM | ||
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |
Section: 0.6001019477844238
End: 0.603229284286499