On October 1, 2010, the song "Låt hwem som will gå" was released by Gabriel Voigtländer, Martin Bagge, Maria Bania, Mikael Paulsson, Andreas Edlund, Kristina Lindgard, Michael Andersson. The duration of Låt hwem som will gå is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Låt hwem som will gå's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wärldslige & Andelige Wisor by Martin Bagge. The song's track number on the album is #12 out of 18 tracks. The popularity of Låt hwem som will gå is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Låt hwem som will gå by Gabriel Voigtländer, Martin Bagge, Maria Bania, Mikael Paulsson, Andreas Edlund, Kristina Lindgard, Michael Andersson has a tempo of 185 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Låt hwem som will gå being at 185 BPM, the half-time would be 92 BPM with a double-time of 370 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Kónd ich ein gedícht volbríngen: XIX. Herr, ich man dich der barmug me | Hugo von Montfort, Eberhard Kummer | G Minor | 0 | 6A | 88 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM | ||
Dido and Aeneas, Z. 626, Act II: Wayward sisters - Harm's our delight | Henry Purcell, La Nuova Musica, David Bates, Avery Amereau, Helen Charlston | F♯ Minor | 2 | 11A | 126 BPM | ||
Fuga a 5 voci sopra la canzone di Cecilia | Leonardo García-Alarcón, Cappella Mediterranea, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Oi armahda, Kristus, on kaitainen tie, Sl 70 | Mieskuoro Weljet | A Minor | 2 | 8A | 70 BPM | ||
3 Körvisor: No. 2, I seraillets have | Wilhelm Stenhammar, Ars Nova Copenhagen, Paul Hillier | D Major | 0 | 10B | 78 BPM | ||
The Letter | Stuart Beatch, The Fourth Choir, Dominic Ellis-Peckham | F Major | 1 | 7B | 91 BPM | ||
Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM |
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