Max Lorenz, Wiener Philharmoniker, Maria Reining's 'O Fürstin! (Tannhäuser)' came out on August 22, 2006. Since O Fürstin! (Tannhäuser) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 32 out of 33. The popularity of O Fürstin! (Tannhäuser) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Fürstin! (Tannhäuser) by Max Lorenz, Wiener Philharmoniker, Maria Reining to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice - Live | Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis | G Minor | 2 | 6A | 74 BPM | ||
Sinfonietta: II. Andante | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 80 BPM | ||
Einleitung zum Zweiten Aufzug (Tristan und Isolde) | Chor Der Staatsoper Berlin, Benno Arnold, Jaro Prohaska, Felix Fleischer, Margarete Klose, Eugen Fuchs, Ludwig Hofmann, Erich Zimmermann, Staatskapelle Berlin, Paula Buchner, Max Lorenz | F Major | 2 | 7B | 84 BPM | ||
Westwärts schweift der Blick (Tristan und Isolde) | Eugen Fuchs, Margarete Klose, Ludwig Hofmann, Staatskapelle Berlin, Paula Buchner, Erich Zimmermann, Jaro Prohaska, Benno Arnold, Chor Der Staatsoper Berlin, Max Lorenz, Felix Fleischer | E♭ Major | 4 | 5B | 101 BPM | ||
Un ballo in maschera: Overture | Giuseppe Verdi, Wiener Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 133 BPM | ||
Die Fledermaus: Act I: Trio: Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 4 | 9B | 142 BPM | ||
25 Études faciles et progressives, Op. 100: No. 12, Adieu | Franz Burgmüller, The Gerst Ensemble | A Minor | 0 | 8A | 72 BPM | ||
Gotterdammerung (Twilight of the Gods), Act II Scene 2: Act II Scene 2: Hoiho, Hagen! Muder Mann! (Siegfried, Hagen, Gutrune) | Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth | C Major | 2 | 8B | 111 BPM | ||
Girls Love Liars | Hollers Gang | E Major | 1 | 12B | 50 BPM | ||
Gotterdammerung (Twilight of the Gods), Act II Scene 3: Act II Scene 3: Hoiho! Hoihohoho! (Hagen, Chorus) | Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth | D♭ Major | 4 | 3B | 116 BPM |
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