"25 Études faciles et progressives, Op. 100: No. 12, Adieu" by Franz Burgmüller, The Gerst Ensemble was released on June 1, 2020. With 25 Études faciles et progressives, Op. 100: No. 12, Adieu being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 25 in Classical Folder Burgmüller by Franz Burgmüller, The Gerst Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 25 Études faciles et progressives, Op. 100: No. 12, Adieu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Études faciles et progressives, Op. 100: No. 12, Adieu by Franz Burgmüller, The Gerst Ensemble is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Sounds | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | A Minor | 0 | 8A | 84 BPM | ||
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | ||
25 Études faciles et progressives, Op. 100: No. 15, Ballade | Franz Burgmüller, Carl Petersson | B♭ Major | 2 | 6B | 150 BPM | ||
Divertimento No. 1, Op. 20: V. Csurdongolo (Stamping dance) | Leó Weiner, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 146 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Tonight We Celebrate | Colwell Snodbury | F Major | 0 | 7B | 81 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Couvin, S. 2: Act II Prelude | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 0 | 8B | 167 BPM | ||
Adieu / Adiós / Farewell | Franz Burgmüller | C Major | 1 | 8B | 157 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: Sinfony. Grave - Allegro moderato | George Frideric Handel, Otto Klemperer, Philharmonia Orchestra | E Minor | 2 | 9A | 87 BPM |
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