Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 1 Scene 5: "Ora stammi a sentir" (Tosca, Cavaradossi)' came out on 1953. The duration of Puccini: Tosca, Act 1 Scene 5: "Ora stammi a sentir" (Tosca, Cavaradossi) is about 3 minutes long, at 3:10. Based on our data, "Puccini: Tosca, Act 1 Scene 5: "Ora stammi a sentir" (Tosca, Cavaradossi)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Puccini: Tosca, Act 1 Scene 5: "Ora stammi a sentir" (Tosca, Cavaradossi) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puccini: Tosca, Act 1 Scene 5: "Ora stammi a sentir" (Tosca, Cavaradossi) by Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version | Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 1 | 2B | 81 BPM | ||
Il Barbiere di Siviglia: Una voce poco fa | Gioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | C Minor | 1 | 5A | 61 BPM | ||
Dinorah, '(Le) pardon de Ploërmel' (1997 Digital Remaster): Ombre légère (Shadow Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 135 BPM | ||
Adriana Lecouvreur (1997 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Philharmonia Orchestra, Tullio Serafin | A♭ Major | 1 | 4B | 80 BPM | ||
Ponchielli: La Gioconda,Act 1: "Che? La plebe or qui si arroga" (Alvise, Chorus, Gioconda, Laura, Barnaba, Enzo) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Fiorenza Cossotto, Ivo Vinco, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro, Piero Cappuccilli | D Minor | 2 | 7A | 74 BPM | ||
Lucia di Lammermoor / Act 1: "Ancor non giunse!" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 80 BPM | ||
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
Lucia di Lammermoor / Act 3.: "Tombe degl'avi miei...Fra poco a me ricovero" | Gaetano Donizetti, Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | E♭ Major | 2 | 5B | 102 BPM | ||
Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | F Major | 1 | 7B | 142 BPM |
Section: 0.7382767200469971
End: 0.742790937423706