- BPM
- 81
- Key
- F♯ Major
- Camelot
- 2B
Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version - Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano Information
- Acousticness
- 98%
- Danceability
- 18%
- Energy
- 13%
- Instrumentalness
- 1%
- Liveness
- 11%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 16%
- Loudness
- -15.05 dB
Summary
"Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version" by Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano was released on 1958. Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano's "La Bohème - Puccini" album is number 5 out of 26. Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version BPM
We consider the tempo marking of Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version by Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Spiro Malas, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | G Major | 2 | 9B | 119 BPM | |
 | L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | |
 | In questa tomba oscura, WoO.133 | Ludwig van Beethoven, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D♭ Major | 1 | 3B | 88 BPM | |
 | Tosca / Act 2: Orsù, Tosca, parlate | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 126 BPM | |
 | Verdi: Aida, Act 1: "Ritorna vincitor" (Aida) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 2 | 4B | 91 BPM | |
 | Carmen (1997 - Remaster), Act I: Voici l'ordre; partez | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D♭ Major | 1 | 3B | 115 BPM | |
| L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 1: "Ma signor...ma un dottor" (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus) | Gioachino Rossini, Maria Callas, Alceo Galliera, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, The Philharmonia Chorus, Philharmonia Orchestra, Roberta Benaglio, Tito Gobbi | G Major | 3 | 9B | 116 BPM | |
 | Madama Butterfly / Act 1: Cio-cio-san! Cio-cio-san! | Giacomo Puccini, Marius Rintzler, Luciano Pavarotti, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 92 BPM | |
 | Andrea Chénier / Act 4: Come un bel dì di maggio | Umberto Giordano, Roberto Alagna, Sir Mark Elder, Orchestra of the Royal Opera House, Covent Garden | F♯ Minor | 2 | 11A | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8679699897766113
End: 0.8751568794250488