- BPM
- 99
- Key
- A Major
- Camelot
- 11B
II. Vienna, Etudes - Death of Kaspar - John Corigliano, Esa-Pekka Salonen Information
- Acousticness
- 96%
- Danceability
- 30%
- Energy
- 10%
- Instrumentalness
- 85%
- Liveness
- 10%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 17%
- Popularity
- 15%
- Loudness
- -24.288 dB
Summary
"II. Vienna, Etudes - Death of Kaspar" by John Corigliano, Esa-Pekka Salonen was released on September 8, 1998. The duration of II. Vienna, Etudes - Death of Kaspar is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. II. Vienna, Etudes - Death of Kaspar's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Red Violin - Music from the Motion Picture". In this album, this song's track order is #8. In terms of popularity, II. Vienna, Etudes - Death of Kaspar is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
II. Vienna, Etudes - Death of Kaspar BPM
With II. Vienna, Etudes - Death of Kaspar by John Corigliano, Esa-Pekka Salonen having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
II. Vienna, Etudes - Death of Kaspar Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | V. Montréal, End Titles | John Corigliano, Esa-Pekka Salonen | A Minor | 0 | 8A | 89 BPM | |
 | Sonata in G Minor for Violin and Continuo, B.g5 - "The Devil's Trill": 3. Andante - Allegro | Giuseppe Tartini, Nicola Benedetti, Christian Curnyn | G Minor | 1 | 6A | 131 BPM | |
 | III. Presto in moto perpetuo | Samuel Barber, Leonard Slatkin, St. Louis Symphony, Elmar Oliveria | A Minor | 2 | 8A | 96 BPM | |
 | Overture "Coriolan", Op. 62 | Ludwig van Beethoven, Gewandhausorchester, Kurt Masur | F Minor | 2 | 4A | 79 BPM | |
 | Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | |
 | Turangalîla-Symphonie: V. Joie du sang des étoiles - Vif, passionné, avec joie | Olivier Messiaen, Esa-Pekka Salonen | G Major | 3 | 9B | 63 BPM | |
 | The Planets, Op. 32: 2. Venus, the Bringer of Peace | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | F Minor | 0 | 4A | 88 BPM | |
 | 2 Pieces for Strings, C. 50j (From "Henry V"): No. 1, Death of Falstaff | William Walton, Malmö Opera Orchestra, Joseph Swensen | E Minor | 0 | 9A | 144 BPM | |
 | St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | |
 | Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7824084758758545
End: 0.7886373996734619