"Sonata in G Minor for Violin and Continuo, B.g5 - "The Devil's Trill": 3. Andante - Allegro" by Giuseppe Tartini, Nicola Benedetti, Christian Curnyn was released on January 1, 2011. With this song being about 5 minutes long, at 5:26, "Sonata in G Minor for Violin and Continuo, B.g5 - "The Devil's Trill": 3. Andante - Allegro" by Giuseppe Tartini, Nicola Benedetti, Christian Curnyn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nicola Benedetti's "Italia" album is number 7 out of 18. Based on our statistics, Sonata in G Minor for Violin and Continuo, B.g5 - "The Devil's Trill": 3. Andante - Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata in G Minor for Violin and Continuo, B.g5 - "The Devil's Trill": 3. Andante - Allegro by Giuseppe Tartini, Nicola Benedetti, Christian Curnyn to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Preludes, Op. 28: No. 13 in F-Sharp Major | Frédéric Chopin, Reid Nibley | F♯ Major | 0 | 2B | 63 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Funeral March in C Minor, Op. 72, No. 2 | Frédéric Chopin, Alex Szilasi | A♭ Major | 0 | 4B | 67 BPM | ||
Dance of the goblins | Antonio Bazzini, Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
6 Romanian Folk Dances, BB 68, Sz. 56: 6. Fast Dance (Arr. Campbell) | Béla Bartók, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | D Major | 6 | 10B | 160 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM |
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