"3 Poemes: II. Serimpie" by André Jolivet, Jeanne Loriod, Liisa Pohjola was released on July 1, 2013. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Olli Pohjola, Sakari Oramo's "Liisa Pohjola: Selected Recordings 1969-2004" album is number 3 out of 71. On top of that, Finland appears to be the country where this track was created. 3 Poemes: II. Serimpie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Poemes: II. Serimpie by André Jolivet, Jeanne Loriod, Liisa Pohjola to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | F Minor | 1 | 4A | 102 BPM | ||
Clarinet Quintet: I. Moderato | Arthur Bliss, David Campbell, Maggini Quartet | F♯ Minor | 1 | 11A | 79 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): II. Otoño Poteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Suite liturgique: I. Prélude | André Jolivet, Christiane Karg, Stefan Schilli, Marco Postinghel, Sebastian Klinger, Cristina Bianchi, Oliver Triendl | C Major | 0 | 8B | 112 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Ode to Odessa | Eva Wassermann, Luigi Magistrelli | E Major | 1 | 12B | 80 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): XII | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Hexapoda: No. 4, Jim Jives | Robert Russell Bennett, Patrick Savage, Martin Cousin | B♭ Major | 2 | 6B | 59 BPM | ||
Hommage á Aram Khatschaturian for Clarinet Solo | Evgeni Orkin | C Major | 1 | 8B | 68 BPM |
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